{"id":4779,"date":"2015-10-12T15:26:19","date_gmt":"2015-10-12T15:26:19","guid":{"rendered":"http:\/\/globalfineartawards.org\/wp\/?page_id=4779"},"modified":"2016-03-20T13:00:33","modified_gmt":"2016-03-20T13:00:33","slug":"2014-nominees-finalists-winners","status":"publish","type":"page","link":"http:\/\/globalfineartawards.org\/index.php\/homepage-1\/2014-nominees-finalists-winners\/","title":{"rendered":"2014 Nominees, Finalists & Winners"},"content":{"rendered":"

Congratulations to the 2014 Nominees, Finalists and Winners!<\/p>\n

 <\/p>\n

\"GFAA<\/a><\/p>\n

GFAA Finalists 2014<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Contemporary and Post War Art<\/strong><\/td>\n<\/tr>\n
Mira Schendel<\/a>, Tate Modern, London, England<\/td>\n<\/tr>\n
Aujourd’hui le monde est mort: Hiroshi Sugimoto<\/a>, Palais de Tokyo, Paris, France<\/td>\n<\/tr>\n
Vik Muniz: Closer to the Image<\/a>, MAC Lima, Peru<\/td>\n<\/tr>\n
Permission to be Global\/Practicas Globales: Ella Fontanals-Cisneros Collection<\/a>, Museum of Fine Art, Boston<\/td>\n<\/tr>\n
The Essential Robert Indiana<\/a>, Indianapolis Museum of Art, Indianapolis<\/td>\n<\/tr>\n
Other Primary Structures<\/a>, Jewish Museum, NYC<\/td>\n<\/tr>\n
David Hockney: A Bigger Exhibition<\/a>, de Young\/Fine Art Museums, San Francisco<\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Impressionist and Modern Art<\/strong><\/td>\n<\/tr>\n

Paris 1900: The City of Entertainment\u00a0<\/a>, Petit Palais, Paris, France<\/td>\n<\/tr>\n
Charles Marville: Photographer of Paris<\/a>, National Gallery of Art, Washington D.C.\/Metropolitan Museum, NYC<\/td>\n<\/tr>\n
The Scandalous Art of James Ensor<\/a>, Getty Museum, Los Angeles<\/td>\n<\/tr>\n
Italian Futurism 1909-1944: Reconstructing the Universe<\/a>, Solomon R. Guggenheim Museum, NYC<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Renaissance, Baroque, Old Masters and Dynasties<\/strong><\/td>\n<\/tr>\n
Strange Beauty: Masters of the German Renaissance<\/a>, National Gallery, London, England<\/td>\n<\/tr>\n
Caravaggio to Canaletto, The Glory of Italian Baroque and Rococo Painting<\/a>, Museum of Fine Arts, Budapest, Hungary<\/td>\n<\/tr>\n
Pontormo e Rosso Fiorentino<\/a>, Palazzo Strozzi, Florence, Italy<\/td>\n<\/tr>\n
El Greco’s Library<\/a>, Museo del Prado, Madrid, Spain<\/td>\n<\/tr>\n
Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392-1910<\/a>, Philadelphia Museum of Art\/National Museum of Korea, Philadelphia<\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Ancient Art<\/strong><\/td>\n<\/tr>\n

The Etruscans and the Mediterranean: the City of Cervetery<\/a>, Musee du Louvre Lens, Lens France<\/td>\n<\/tr>\n
Pompeii: Life on the Volcano<\/a>, Kunstalle, Munich, Germany<\/td>\n<\/tr>\n
Lost Kingdoms, Metropolitan Museum, NYC\u00a0<\/a><\/td>\n<\/tr>\n
 <\/p>\n

Public or Outdoor Installation or Exhibition<\/strong><\/td>\n<\/tr>\n

Uncommon Ground<\/a>, Arts Council Collection \/ Southbank Centre, London, England<\/td>\n<\/tr>\n
Rachel Feinstein, Madison Square Park\/Marianne Boesky Gallery, NYC<\/td>\n<\/tr>\n
Borders by Steinunn Thorarinsdottir, Grant Park, Chicago<\/td>\n<\/tr>\n
Kara Walker: A Subtlety, or the Marvelous Sugar Baby, Creative Time\/Domino Sugar Factory, NYC<\/td>\n<\/tr>\n
Phoenix<\/a> by Xu Bing, The Cathedral of St. John the Divine, NYC<\/td>\n<\/tr>\n
Echo by Jaume Plensa<\/a>, Seattle Art Museum grounds, Seattle<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

GFAA Nominees 2014<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Mira Schendel<\/a><\/td>\nTate Modern<\/td>\nEngland<\/td>\n<\/tr>\n
Aujourd’hui le monde est mort: Hiroshi Sugimoto<\/a><\/td>\nPalais de Tokyo<\/td>\nFrance<\/td>\n<\/tr>\n
Ai Weiwei: According to What?\u00a0<\/a><\/td>\nBrooklyn Museum of Art<\/td>\nUSA<\/td>\n<\/tr>\n
Warhol: Art. Fame. Mortality<\/a><\/td>\nDali Museum of St. Petersburg<\/td>\nUSA<\/td>\n<\/tr>\n
The Essentials of Robert Indiana<\/a><\/td>\nIndianapolis Museum of Art<\/td>\nUSA<\/td>\n<\/tr>\n
Permission to be Global\/Practicas Globales: Ella Fontanals-Cisneros Collection<\/a><\/td>\nMuseum of Fine Arts Boston \/ Cisneros<\/td>\nUSA<\/td>\n<\/tr>\n
Other Primary Structures<\/a><\/td>\nJewish Museum<\/td>\nUSA<\/td>\n<\/tr>\n
Vik Muniz: Closer to the Image<\/a><\/td>\nMAC Lima<\/td>\nPeru<\/td>\n<\/tr>\n
Wynn Bullock: Revelations<\/a><\/td>\nHigh Museum of Art<\/td>\nUSA<\/td>\n<\/tr>\n
Irving Penn, Resonance\u00a0<\/a><\/td>\nPalazzo Grassi<\/td>\nItaly<\/td>\n<\/tr>\n
Korean Beauty: Two Kinds of Nature<\/a><\/td>\nMMCA<\/td>\nS. Korea<\/td>\n<\/tr>\n
David Hockney: A Bigger Exhibition<\/a><\/td>\nFine Arts Museums of San Francisco\/ de Young<\/td>\nUSA<\/td>\n<\/tr>\n
Modernism : The Robert and Jane Meyerhoff Collection (National Gallery of Art)<\/a><\/td>\nFine Arts Museums of San Francisco\/ de Young<\/td>\nUSA<\/td>\n<\/tr>\n
Julian Schnabel: Every Angel has a Dark Side<\/a><\/td>\nDairy Art Center<\/td>\nEngland<\/td>\n<\/tr>\n
Henri Matisse: The Cutouts\u00a0<\/a><\/td>\nTate Modern<\/td>\nEngland<\/td>\n<\/tr>\n
Paris 1900: The City of Entretainment\u00a0<\/a><\/td>\nPetit Palais<\/td>\nFrance<\/td>\n<\/tr>\n
Degas\/Cassatt<\/a><\/td>\nNational Gallery of Art<\/td>\nUSA<\/td>\n<\/tr>\n
Italian Futurism 1909 – 1944: Reconstructing the Universe<\/a><\/td>\nThe Solomon R. Guggenheim Museum<\/td>\nUSA<\/td>\n<\/tr>\n
Calder and Abstraction: From Avant-Garde to Iconic<\/a><\/td>\nLos Angeles Country Museum of Art<\/td>\nUSA<\/td>\n<\/tr>\n
The Scandalous World of James Ensor<\/a><\/td>\nGetty Museum<\/td>\nUSA<\/td>\n<\/tr>\n
Kandinsky; a Retrospective<\/a><\/td>\nMilwaukee Art Museum<\/td>\nUSA<\/td>\n<\/tr>\n
Magritte: The Mystery of the Ordinary 1926-1938<\/a><\/td>\nArt Institute of Chicago<\/td>\nUSA<\/td>\n<\/tr>\n
Miro: The Experience of Seeing<\/a><\/td>\nSeattle Art Museum<\/td>\nUSA<\/td>\n<\/tr>\n
Mondrian and his Studio\u00a0<\/a><\/td>\nTate Liverpool<\/td>\nEngland<\/td>\n<\/tr>\n
Edward Steichen\u00a0<\/a><\/td>\nWhitney Museum of American Art<\/td>\nUSA<\/td>\n<\/tr>\n
Dorothea Tanning: Web of Dreams<\/a><\/td>\nAlison Jacques Gallery<\/td>\nEngland<\/td>\n<\/tr>\n
Passages in Paris:Modern Art in the Capital of the XIX Century<\/a><\/td>\nMuseu de Art de Sao Paolo<\/td>\nBrazil<\/td>\n<\/tr>\n
Claude Monet: Three Scenes from the Beyeler Foundation<\/a><\/td>\nHermitage<\/td>\nRussia<\/td>\n<\/tr>\n
Charles Marville: Photographer of Paris<\/a><\/td>\nNational Gallery of Art\/ The Met\/ M. Fine Art Houston<\/td>\nUSA<\/td>\n<\/tr>\n
Masterpieces of Modern Mexico: Frida Kahlo and Diego Rivera<\/a><\/td>\nNelson-Atkins Museum of Art<\/td>\nUSA<\/td>\n<\/tr>\n
Henri Matisse: The Cutouts<\/a><\/td>\nTate Modern<\/td>\nEngland<\/td>\n<\/tr>\n
Man Ray, Picabia et la Revue (Literature 1922-24)<\/a><\/td>\nThe Centre Pompidou<\/td>\nFrance<\/td>\n<\/tr>\n
Pontormo e Rosso Fiorentino<\/a><\/td>\nPalazzo Strozzi<\/td>\nItaly<\/td>\n<\/tr>\n
El Greco’s Library<\/a><\/td>\nMuseo del Prado<\/td>\nSpain<\/td>\n<\/tr>\n
The Pure, Simple and Natural in Art in Florence Between the 16\/17 centuries<\/a><\/td>\nGli Uffizi<\/td>\nItaly<\/td>\n<\/tr>\n
Caravaggio to Canaletto, The Glory of Italian Baroque and Rococo Painting<\/a><\/td>\nMuseum of Fine Arts Budapest<\/td>\nHungary<\/td>\n<\/tr>\n
Italian Masterpieces from Spain’s Royal Court<\/a><\/td>\nMuseo del Prado (Melbourne)<\/td>\nAustralia<\/td>\n<\/tr>\n
From Renaissance to Goya: Prints and Drawings from Spain<\/a><\/td>\nMuseo del Prado\/New Mexico Museum of Art**<\/td>\nUSA<\/td>\n<\/tr>\n
Veronese: Magnificence in Renaissance Venice<\/a><\/td>\nNational Gallery<\/td>\nEngland<\/td>\n<\/tr>\n
Strange Beauty: Masters of the German Renaissance<\/a><\/td>\nNational Gallery<\/td>\nEngland<\/td>\n<\/tr>\n
What did the Renaissance Printmakers make of Antiquity?<\/a><\/td>\nArt Institute of Chicago<\/td>\nUSA<\/td>\n<\/tr>\n
Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392-1910<\/a><\/td>\nPhiladelphia Museum of Art\/National Museum of Korea<\/td>\nUSA<\/td>\n<\/tr>\n
Treasures of Chinese Painting from the Shanghai Museum<\/a><\/td>\nTokyo National Museum\/ Shanghai Museum<\/td>\nJapan<\/td>\n<\/tr>\n
The Flowering of Edo Period Painting<\/a><\/td>\nMetropolitan Museum of Art<\/td>\nUSA<\/td>\n<\/tr>\n
Cortona: L’alba dei Principi Etruschi\u00a0<\/a><\/td>\nMuseo Archeologico Nazionale<\/td>\nItaly<\/td>\n<\/tr>\n
Apoteosi: Da Uomini e Dei, Il Mausoleo di Adriano<\/a><\/td>\nMuseo Nazionale di Castel Sant’Angelo<\/td>\nItaly<\/td>\n<\/tr>\n
\u00a0<\/u><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pompeii: Life on the Volcano<\/a><\/td>\nKunsthalle<\/td>\nGermany<\/td>\n<\/tr>\n
The Etruscans and the Mediterranean: the City of Cervetery<\/a><\/td>\nMusee du Louvre Lens<\/td>\nFrance<\/td>\n<\/tr>\n
\u00a0<\/u><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Creative Spirit: Revealing the Early Medieval Scotland<\/a><\/td>\nNational Museum of Scotland<\/td>\nScotland<\/td>\n<\/tr>\n
Augustus and Merida<\/a><\/td>\nMuseo Nacional Arte Romano<\/td>\nSpain<\/td>\n<\/tr>\n
400 Years of Arabic Studies in the Netherlands<\/a><\/td>\nRijksmuseum Van Oudheden<\/td>\nNetherlands<\/td>\n<\/tr>\n
Lost Kingdoms\u00a0<\/a><\/td>\nMetropolitan Museum of Art<\/td>\nUSA<\/td>\n<\/tr>\n
\u00a0<\/u><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Kara Walker: A Subtlety, or the Marvelous Sugar Baby<\/a><\/td>\nDomino Sugar Factory<\/td>\nUSA<\/td>\n<\/tr>\n
Marina Abramovic: 512 Hours<\/a><\/td>\nSerpentine Gallery<\/td>\nEngland<\/td>\n<\/tr>\n
Echo by Jaume Plensa<\/a><\/td>\nSeattle Art Museum<\/td>\nUSA<\/td>\n<\/tr>\n
Gun Architects: Rainforest\u00a0<\/a><\/td>\nBedford Square<\/td>\nEngland<\/td>\n<\/tr>\n
Jeff Koons’s Split-Rocker<\/a><\/td>\nRockefeller Center<\/td>\nUSA<\/td>\n<\/tr>\n
Rachel Feinstein\u00a0<\/a><\/td>\nMadison Square Park (Flat Iron)<\/td>\nUSA<\/td>\n<\/tr>\n
Borders by Steinunn Thorarinsdottir<\/a><\/td>\nGrant Park<\/td>\nUSA<\/td>\n<\/tr>\n
Shop Lifting by Mithu Sen\u00a0<\/a><\/td>\nIndian Art Festival Chennai<\/td>\nIndia<\/td>\n<\/tr>\n
Uncommon Ground<\/a><\/td>\nMead Gallery<\/td>\nEngland<\/td>\n<\/tr>\n
East\/West-West\/East by Richard Serra\u00a0<\/a><\/td>\nBrouq Natural Reserve Qatar<\/td>\nUnited Arab Emirates<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Congratulations to the 2014 Nominees, Finalists and Winners!   GFAA Finalists 2014 Contemporary and Post War Art Mira Schendel, Tate Modern, London, England Aujourd’hui le monde est mort: Hiroshi Sugimoto, Palais de Tokyo, Paris, France Vik Muniz: Closer to the Image, MAC Lima, Peru Permission to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1320,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n