{"id":8145,"date":"2020-05-11T11:00:49","date_gmt":"2020-05-11T11:00:49","guid":{"rendered":"http:\/\/globalfineartawards.org\/?page_id=8145"},"modified":"2020-05-19T06:00:00","modified_gmt":"2020-05-19T06:00:00","slug":"2019-award-winners","status":"publish","type":"page","link":"http:\/\/globalfineartawards.org\/index.php\/2019-award-winners\/","title":{"rendered":"2019 Award Winners and Honorable Mentions"},"content":{"rendered":"

Congratulations to the 2019 Global Fine Art Award Winners!!<\/span><\/h3>\n

Honoring all 99 nominees representing works in 6 continents, 27 countries and 74 cities<\/p>\n

GFAA conducts extensive year-round research of curated exhibitions and installations across the globe, designating awards for group and themed exhibitions, as well as awards for solo artist shows. Exemplified by the two newest awards launched in 2017 \u2013 Global Planet and Global Humanity, GFAA is determined to continue to illuminate the best works produced every year voicing the connection of art and global concerns.<\/p>\n

GFAA Judges selected thirteen winners \u2013 one in each of the following award categories: Contemporary and Post-War- solo artist; Contemporary and Post-War- group or theme; Impressionist and Modern- solo artist; Impressionist and Modern- group or theme; Renaissance, Baroque, Old Masters and Dynasties- solo artist; Renaissance, Baroque, Old Masters and Dynasties- group or theme; Ancient Art; Photography; Design; Fringe; Public Art, and the new awards that premiered last year \u2013 Global Planet and Global Humanity.<\/p>\n

Youniversal, and YOU-2 are the two final awards, are given to the most popular <\/em>nominees, and are selected by public voting on the GFAA website and social media<\/p>\n\n\n\n
2019 Global Fine Art Awards – \u00a0Winners (W) \u00a0and Honorable Mention<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0<\/strong><\/p>\n

Best Post War and Contemporary (WWII-Present) – Solo Artist<\/em><\/strong><\/td>\n<\/tr>\n

El Anatsui: Triumphant Scale<\/a> (W)<\/u><\/td>\nHaus der Kunst<\/td>\nGermany<\/td>\nMunich<\/td>\n<\/tr>\n
Robert Indiana: A Sculpture Retrospective<\/a><\/td>\nAlbright-Knox Art Gallery<\/td>\nUSA<\/td>\nBuffalo<\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Best Post War and Contemporary (WWII-Present) – Group or Theme<\/em><\/strong><\/td>\n<\/tr>\n

\u00a0<\/strong><\/p>\n

Soul of a Nation: Art in the Age of Black<\/a> Power<\/a> (W)<\/u><\/td>\n

\u00a0<\/strong><\/p>\n

Tate Modern \/ Brooklyn Museum \/ Crystal Bridges Museum of American Art \/ The Broad<\/td>\n

\u00a0<\/strong><\/p>\n

England \/ USA<\/td>\n

London \/ New York \/ Bentonville \/ Los<\/p>\n

Angeles<\/td>\n<\/tr>\n

A Fairy Tale in Red Times: Works from the<\/u> White Rabbit Collection<\/u><\/td>\n\u00a0<\/strong><\/p>\n

National Gallery of Victoria<\/td>\n

\u00a0<\/strong><\/p>\n

Australia<\/td>\n

\u00a0<\/strong><\/p>\n

Melbourne<\/td>\n<\/tr>\n

\u00a0Best Modern or Impressionism (1840 to WWll) – Solo Artist<\/em><\/strong><\/td>\n<\/tr>\n
 <\/p>\n

Hilma af Klint: Paintings for the Future <\/a>(W)<\/u><\/p>\n

 <\/td>\n

 <\/p>\n

Solomon R. Guggenheim Museum<\/td>\n

USA<\/td>\nNew York<\/td>\n<\/tr>\n
Best Modern or Impressionism (1840 to WWll) – Group or Theme<\/em><\/strong><\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Victorian Radicals: From the Pre-<\/a> Raphaelites to the Arts & Crafts Movement<\/a> (W)<\/u><\/td>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

American Federation of Arts and Birmingham Museums Trust<\/td>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

USA<\/td>\n

Oklahoma City \/ Vero Beach \/ Seattle \/ San Antonio \/ New Haven \/ Reno \/<\/p>\n

Pittsburgh \/ Puerto Rico<\/td>\n<\/tr>\n

Best Renaissance, Baroque, Old Masters and Dynasties (approx 1200 – 1838) – Solo Artist<\/em><\/strong><\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Tintoretto: Artist of Renaissance Venice<\/a> (W)<\/u><\/td>\n

National Gallery of Art, in collaboration with Fondazione Musei Civici di Venezia<\/td>\n\u00a0<\/strong><\/p>\n

USA<\/td>\n

\u00a0<\/strong><\/p>\n

Washington D.C.<\/td>\n<\/tr>\n

Best Renaissance, Baroque, Old Masters and Dynasties (approx 1200 – 1838) – Group or Theme<\/em><\/strong><\/td>\n<\/tr>\n
Faith and Empire: Art and Politics in Tibetan<\/a> Buddhism<\/a> (W)<\/u><\/td>\n <\/p>\n

The Rubin Museum of Art<\/p>\n

 <\/td>\n

USA<\/td>\nNew York<\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Caravans of Gold, Fragments in Time: Art,<\/a> Culture, and Exchange across Medieval<\/a> Saharan Africa<\/a><\/td>\n

\u00a0<\/strong><\/p>\n

Block Museum of Art \/ The Aga Khan Museum \/ National Museum of African Art, Smithsonian Institution<\/td>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

USA \/ Canada<\/td>\n

\u00a0<\/strong><\/p>\n

Evanston \/ Toronto \/ Washington D.C.<\/td>\n<\/tr>\n

Best Ancient (BC – approx 1200)<\/em><\/strong><\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

The World between Empires: Art and<\/a> Identity in the Ancient Middle East<\/a> (W)<\/u><\/td>\n

\u00a0<\/strong><\/p>\n

The Metropolitan Museum of Art<\/td>\n

\u00a0<\/strong><\/p>\n

USA<\/td>\n

\u00a0<\/strong><\/p>\n

New York<\/td>\n<\/tr>\n

Striking Power: Iconoclasm in Ancient<\/a><\/p>\n

Egypt<\/a><\/td>\n

Pulitzer Arts Foundation and the<\/p>\n

Brooklyn Museum<\/td>\n

USA<\/td>\nSt. Louis<\/td>\n<\/tr>\n
Best Public or Outdoor Installation\/Exhibition<\/em><\/strong><\/td>\n<\/tr>\n
Brazilian Modern: The Living Art of<\/a><\/p>\n

Roberto Burle Marx<\/a> (W)<\/u><\/td>\n

New York Botanical Garden<\/td>\nUSA<\/td>\nNew York<\/td>\n<\/tr>\n
Best Design<\/em><\/strong><\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Guo Pei: Chinese Art and Couture<\/a> (W)<\/u><\/td>\n

\u00a0<\/strong><\/p>\n

Asian Civilisations Museum<\/a><\/td>\n

\u00a0<\/strong><\/p>\n

Singapore<\/td>\n

\u00a0<\/strong><\/p>\n

Singapore<\/td>\n<\/tr>\n

\u00a0<\/strong><\/p>\n

Dior: From Paris to the World<\/a><\/td>\n

\u00a0<\/strong><\/p>\n

Denver Art Museum \/ Dallas Museum of Art<\/td>\n

\u00a0<\/strong><\/p>\n

USA<\/td>\n

\u00a0<\/strong><\/p>\n

Denver \/ Dallas<\/td>\n<\/tr>\n

Best Photography<\/em><\/strong><\/td>\n<\/tr>\n
Civilization: The Way We Live Now<\/a> (W)<\/u><\/td>\nUllens Center for Contemporary Art<\/td>\nChina<\/td>\nBeijing<\/td>\n<\/tr>\n
Best Fringe \/ Alternative Exhibition<\/em><\/strong><\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Hearts of Our People: Native Women Artists<\/a> (W)<\/u><\/td>\n

Minneapolis Institute of Art \/ Frist Art Museum \/ Smithsonian American Art Museum-Renwick Gallery \/ Philbrook Museum of Art<\/td>\n\u00a0<\/strong><\/p>\n

USA<\/td>\n

Minneapolis \/ Nashville \/ Washington D.C.<\/p>\n

\/ Tulsa<\/td>\n<\/tr>\n

Oceania<\/a><\/td>\nRoyal Academy of Arts \/ Mus\u00e9e du quai Branly – Jacques Chirac<\/td>\nEngland \/ France<\/td>\nLondon \/ Paris<\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Sanguine. Luc Tuymans on Baroque<\/a><\/td>\n

Fondazione Prada \/ Museum of Contemporary Art of Antwerp \/<\/p>\n

Royal Museum of Fine Arts Antwerp<\/td>\n

\u00a0<\/strong><\/p>\n

Italy \/ Belgium<\/td>\n

\u00a0<\/strong><\/p>\n

Milan \/ Antwerp<\/td>\n<\/tr>\n

Global Planet<\/em><\/strong><\/td>\n<\/tr>\n
The Coming World: Ecology as the New<\/a><\/p>\n

Politics 2030\u20132100<\/a> (W)<\/u><\/td>\n

Garage Museum of Contemporary<\/p>\n

Art<\/td>\n

Russia<\/td>\nMoscow<\/td>\n<\/tr>\n
Setouchi Triennale: Restoration of the Sea<\/a><\/td>\nSetouchi<\/td>\nJapan<\/td>\nSetouchi<\/td>\n<\/tr>\n
Global Humanity<\/em><\/strong><\/td>\n<\/tr>\n
Homeless Souls<\/a> (W)<\/u><\/td>\nLouisiana Museum of Modern Art<\/td>\nDenmark<\/td>\nHumlebaek<\/td>\n<\/tr>\n
Youniversal<\/em><\/strong><\/td>\n<\/tr>\n
Picasso and Antiquity. Line and Clay<\/a> (W)<\/u><\/td>\nThe Museum of Cycladic Art<\/td>\nGreece<\/td>\nAthens<\/td>\n<\/tr>\n
Alison Lowry: A(Dressing) Our Hidden<\/a><\/p>\n

Truths<\/a><\/td>\n

National Museum of Ireland<\/td>\nIreland<\/td>\nDublin<\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Boldini and Fashion<\/a><\/td>\n

\u00a0<\/strong><\/p>\n

Palazzo dei Diamanti<\/td>\n

\u00a0<\/strong><\/p>\n

Italy<\/td>\n

\u00a0<\/strong><\/p>\n

Ferrara<\/td>\n<\/tr>\n

\u00a0<\/strong><\/p>\n

Franchise Freedom<\/a><\/td>\n

\u00a0<\/strong><\/p>\n

Studio Drift<\/td>\n

\u00a0<\/strong><\/p>\n

USA \/<\/p>\n

Netherlands<\/td>\n

Miami \/ Black Rock City \/ Amsterdam \/<\/p>\n

Meritt Island<\/td>\n<\/tr>\n

Homeless Souls<\/a><\/td>\nLouisiana Museum of Modern Art<\/td>\nDenmark<\/td>\nHumlebaek<\/td>\n<\/tr>\n
Joan Jonas: Moving Off the Land II<\/a><\/td>\nTBA21\u2013Academy and Luma<\/p>\n

Foundation<\/td>\n

Italy<\/td>\nVenice<\/td>\n<\/tr>\n
Maya Lin: A River Is a Drawing<\/a><\/td>\nHudson River Museum<\/td>\nUSA<\/td>\nYonkers<\/td>\n<\/tr>\n
Metamorphosis. Art in Europe Now<\/a><\/td>\nFondation Cartier<\/td>\nFrance<\/td>\nParis<\/td>\n<\/tr>\n
\u00a0<\/strong><\/p>\n

Picasso. Blue and Rose<\/a><\/td>\n

Mus\u00e9e d’Orsay \/Mus\u00e9e national Picasso-Paris \/ Fondation Beyeler<\/td>\nFrance \/ Switzerland<\/td>\n\u00a0<\/strong><\/p>\n

Paris \/ Basel<\/td>\n<\/tr>\n

\u00a0<\/strong><\/p>\n

The Avant-Garde Networks of<\/a> Amauta:Argentina, Mexico, and Peru in the<\/a> 1920’s<\/a><\/td>\n

\u00a0<\/strong><\/p>\n

Museo Reina Sofia \/ Museo de Arte de Lima \/ Palacio de Bellas Artes, Mexico City \/ Blanton Museum of Art<\/td>\n

\u00a0<\/strong><\/p>\n

Spain \/ Peru \/ Mexico \/ USA<\/td>\n

\u00a0<\/strong><\/p>\n

Madrid \/ Lima \/ Mexico City \/ Austin<\/td>\n<\/tr>\n

Tomorrow is the Question<\/u><\/td>\nARoS in collaboration with ART 2030<\/p>\n

and Faurschou Art Resources<\/td>\n

Denmark<\/td>\nAarhus<\/td>\n<\/tr>\n
Treasures of Ancient Greece: Life, Myth and Heroes<\/u><\/td>\n\u00a0<\/strong><\/p>\n

Children\u2019s Museum of Indianapolis<\/td>\n

\u00a0<\/strong><\/p>\n

USA<\/td>\n

\u00a0<\/strong><\/p>\n

Indianapolis<\/td>\n<\/tr>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Verrocchio, Master of Leonardo<\/a><\/td>\n

Fondazione Palazzo Strozzi and the Musei del Bargello in collaboration with the National Gallery of Art, Washington<\/td>\n\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Italy<\/td>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Florence<\/td>\n<\/tr>\n

YOU-2<\/em><\/strong><\/td>\n<\/tr>\n
Homeless Souls (Co-Winner)*<\/a><\/td>\nLouisiana Museum of Modern Art<\/td>\nDenmark<\/td>\nHumlebaek<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\n

IT’S OFFICIAL!!!<\/strong><\/em><\/span><\/p>\n

The YOU-2 Award .. second round!<\/h3>\n

CONGRATULATIONS!!<\/p>\n

CO- WINNER\u00a0 Boldini and Fashion<\/a><\/p>\n

AND….<\/p>\n

TWO (2) HONORABLE MENTIONS<\/p>\n

Alison Lowry: A(Dressing) Our Hidden Truths\u00a0<\/a><\/p>\n

Maya Lin: A River Is a Drawing\u00a0\u00a0<\/a><\/p>\n

Thanks to all of your fans and patrons for voting for you to win the second round of the YOU-2 Award.<\/p>\n<\/td>\n

<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
*Due to close voting, GFAA conducted a second YOU-2 poll to crown a Co-Winner. This poll took place during two days from Sunday May 17 6:00 a.m. through May 18 9:00 p.m Eastern.<\/strong>\u00a0<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
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\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Congratulations to the 2019 Global Fine Art Award Winners!! Honoring all 99 nominees representing works in 6 continents, 27 countries and 74 cities GFAA conducts extensive year-round research of curated exhibitions and installations across the globe, designating awards for group and themed exhibitions, as well as […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n