The 2016 GFAA Nominees were announced live in London on Thursday, October 6.
In conjunction with Frieze London and Frieze Masters, the third edition of the Global Fine Art Awards (GFAA) program recognizes the 2016 award nominees in 11 categories. The program has expanded this year to include 3 new awards and a total of 78 nominees across 5 continents, 22 countries and 52 cities. GFAA celebrates the best curated fine art and design exhibitions worldwide. More than 25% of the artist-centric exhibitions are women artists, and there is broad representation in size as well with 32 (40%) of the GFAA nominees from the top 100 art museums visited in the world (The Art Newspaper, April 2015), and 60% emanating from smaller institutions and other venues.
Nominees include exhibitions from many prominent museums across the globe: New York’s Whitney Museum of American Art, Solomon R. Guggenheim Museum, The Jewish Museum and The Metropolitan Museum of Art; LACMA; The J. Paul Getty Museum, and The Broad Museum in Los Angeles; the British Museum, The National Gallery, Victoria and Albert Museum, Tate Britain and Tate Modern in London; Le Grand Palais and Château de Versailles in Fance; the Palazzo Strozzi in Florence; the Rijksmuseum in Amsterdam; the Museo del Prado and Museo Thyssen-Bornemisza in Madrid; National Museum of Modern and Contemporary Art, Korea; Yuz Museum in China; the State Hermitage and the Moscow Kremlin Museums in Russia.
These exhibitions and public installations feature works by timeless masters, from Botticelli and Bosch, to Degas and Delacroix, as well as some of the most important artists living today. The 2016 list of Nominees includes Christo, Olafur Eliasson, Susan Philipsz, Sterling Ruby, John Baldessari, Frank Auerbach, Tony Cragg, Danh Võ and Tatsuo Miyajima.
The GFAA award program also recognizes group and theme exhibitions. This year’s nominations range from broad period shows, with “Ancient Sicily” and the “Vikings in Ireland”, to “Contemporary Art from Latin America” and in “Creative Africa”. Exhibitions addressing important themes are also nominated for their innovative work – some of these include Class Distinction, Divinity, World Exploration, Communication, and Love.
GFAA judges will ultimately select the winners from this slate of Nominees for these 11 award categories: Contemporary and Post-War (solo and group), Impressionist and Modern; Renaissance (solo and group), Baroque, Old Masters and Dynasties (solo and group), Ancient Art, Photography, Design, Fringe/Alternative and Public or Outdoor Installation. “Youniversal”, the twelfth award, recognizes the most popular nominee and is selected by public voting on the GFAA website.
Following the Nominee event in London, the 2016 GFAA Award Finalists were announced at an event hosted by Baccarat Hotel in NYC on October 25, 2016.
The culmination of the year-long process to discover the best curated art and design exhibitions will take place on Saturday, February 11, 2017 with the celebration of all Nominees and the presentation of the Winners of the 2016 Global Fine Art Awards (GFAA). The Award Ceremony will be held at the historic National Arts Club in New York City.
The Gala Committee is currently in formation and Gala tickets are now available to the public. Tickets may be purchased online through the Fiscal Sponsor of the GFAA program – Fractured Atlas.
POST WAR AND CONTEMPORARY – SOLO ARTIST | |||
Rauschenberg in China | Ullens Center for Contemporary Art (UCCA) | China | Beijing |
Frank Auerbach | Tate Britain | England | London |
John Baldessari : the Staedel Paintings | Staedel Museum | Germany | Frankfurt |
Danh Võ : Ydob eht ni mraw si ti (It is warm in the body) | Museum Ludwig | Germany | Cologne |
Tony Cragg. Sculptures and Drawings | State Hermitage Museum | Russia | St. Petersberg |
Maholy-Nagy: Future Present | Solomon R. Guggenheim | USA | NYC |
Barbara Hepworth: Sculpture for a Modern World | Kroller-Muller Museum / Tate Britain / Arp Museum | Netherlands / England / Germany | Otterlo / London / Remagen |
Nasreen Mohamedi: Waiting is a Part of Intense Living | Reina Sofía | Spain | Madrid |
Louise Bourgeois. Structures of Existence: The Cells | Guggenheim Museum / Haus der Kunst | Spain / Germany | Bilbao / Munich |
Debora Arango: Life in All Its Admirable Force | Museo de Arte Moderno | Colombia | Medellin |
POST WAR AND CONTEMPORARY – GROUP OR THEME | |||
Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016 | Hauser Wirth Schimmel Gallery | USA | Los Angeles |
Wyeth: Andrew and Jamie in the Studio | Denver Art Museum / Thyssen-Bornemisza Museum | USA / Spain | Denver / Madrid |
Human Interest: Portraits | Whitney Museum of American Art | USA | NYC |
Illumination: new contemporary art at Louisiana | Louisiana Museum of Modern Art | Denmark | Humlebaek |
Contingent Beauty: Contemporary Art from Latin America | Museum of Fine Arts Houston | USA | Houston |
Simon Denny: Products for Organising (shared) | Serpentine Galleries | England | London |
Michael Craig-Martin: Transience (shared) | Serpentine Galleries- 2 part side-by-side exhibitions | ||
IMPRESSIONIST AND MODERN – SOLO ARTIST | |||
Degas: A New Vision | National Gallery of Victoria / Museum of Fine Arts Houston | Australia / USA | Melbourne / Houston |
Delacroix and the Rise of Modern Art | National Gallery | England | London |
Joan Miro: Painting Walls, Painting Worlds | Schirn | Germany | Frankfurt |
Jean Dubuffet : Metamorphoses of a Landscape | Fondation Beyeler | Switzerland | Basel |
Alberto Giacometti Retrospective | Yuz Museum | China | Shanghai |
Georgia O’Keeffe | Tate Modern / Art Gallery of Ontario | England / Canada | London / Toronto |
IMPRESSIONIST AND MODERN – GROUP OR THEME | |||
Colour Unleashed. Modern Art in the Low Countries 1885-1914 | Gemeentemuseum Den Haag | Netherlands | The Hague |
Divine Beauty: from Van Gogh to Gauguin and Fontana | Palazzo Strozzi/ The Vatican Museums | Italy | Florence |
A Century of Style: Costume and Colour | Glasgow Museums | UK | Glasgow |
Noir: The Romance of Black in 19th-Century French Drawings and Prints | The J. Paul Getty Museum | USA | Los Angeles |
Visiting Masterpieces: Pairing Picasso | Museum of Fine Arts Boston | USA | Boston |
Painters of light. From Divisionism to Futurism | Fundación MAPFRE / Mart Museum | Spain / Italy | Madrid / Rovereto |
The Lost Symphony: Whistler and the Perfection of Art | Smithsonian’s Freer and Sackler Galleries | USA | Washington DC |
Jewel City: Art from San Francisco’s Panama-Pacific International Exposition | de Young / Fine Arts Museums of San Francisco | USA | San Francisco |
RENAISSANCE, BAROQUE, OLD MASTERS AND DYNASTIES – SOLO ARTIST | |||
The Tricentenniel of Giuseppe Castiglione’s Arrival in China | National Palace Museum | Republic of China (Taiwan) | Taipei |
Botticelli Reimagined | Victoria and Albert Museum | England | London |
Jheronimus Bosch – Visions of genius / | Het Noordbrabants Museum/ (shared) Museo del Prado (shared) | Netherlands / Spain | Den Bosch / Madrid |
Adriaen van de Velde: Master of the Dutch Landscape | Rijksmuseum / Dulwich Picture Gallery | Netherlands / England | Amsterdam / London |
Caravaggio and the Painters of the North | Museo Thyssen-Bornemisza | Spain | Madrid |
RENAISSANCE, BAROQUE, OLD MASTERS AND DYNASTIES – GROUP OR THEME | |||
Scottish Artists 1750 – 1900 | Royal Collection Trust / Queen’s Gallery | Scotland / England | Edinburgh / London |
Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer | Museum of Fine Arts Boston | USA | Boston |
Traversing the Globe through Illuminated Manuscripts | The J. Paul Getty Museum | USA | Los Angeles |
The Recovery of Antiquity: From the Renaissance to Neoclassicism in France and Italy | Montreal Museum of Fine Arts | Canada | Montreal |
Boris Godunov: From a Courtier to the Sovereign of all of Russia | The Moscow Kremlin | Russia | Moscow |
ANCIENT ART | |||
Sunken Cities: Egypt’s Lost Worlds | British Museum | England | London |
Pergamon and the Hellenistic Kingdoms of the Ancient World | The Met Fifth Avenue | USA | NYC |
Viking Ireland | National Museum of Ireland | Ireland | Dublin |
Sicily: culture and conquest | British Museum | England | London |
PUBLIC ART | |||
Tatsuo Miyajima: Time Waterfall | International Commerce Centre (ICC) building (projection) | China | Hong Kong |
Art Paris Fair – light exhibit façade | Grand Palais – Art Paris Fair | France | Paris |
Olafur Eliasson | Palais de Versailles | France | Versailles |
Christo and Jeanne-Claude: The Floating Piers | Lake Iseo | Italy | Lake Iseo |
William Kentridge: Triumphs and Laments – A Project for Rome | River Tiber | Italy | Rome |
Magda Szwajcowska and Michal Majewski : Micro-installations | Lower Silesian Festival of Architecture (DoFA) | Poland | Wroclaw |
DESIGN | |||
Zaha Hadid | Fondazione Berengo | Italy | Venice |
David Chippenfield : Naga Museum | Venice Biennale/ Sudan | Italy/Sudan | Venice |
Made in the Americas: The New World Discovers Asia | Museum of Fine Arts Boston | USA | Boston |
Manus x Machina: Fashion in an Age of Technology | The Met Fifth Avenue | USA | NYC |
Atmosphere for Enjoyment: Harry Bertoia’s Environment for Sound | Museum of Arts and Design | USA | NYC |
Roberto Burle Marx: Brazilian Modernist | Jewish Museum | USA | NYC |
Sterling Ruby | The Belvedere Museum Winterpalace | Austria | Vienna |
PHOTOGRAPHY | |||
Robert Mapplethorpe: The Perfect Medium (shared) | Los Angeles County Museum of Art | USA | Los Angeles |
Robert Mapplethorpe: The Perfect Medium (shared) | The J. Paul Getty Museum | USA | Los Angeles |
Yook Myong-Shim Retrospective | National Museum of Modern and Contemporary Art | Korea | Seoul |
Annie Leibovitz : WOMEN: New Portraits | global | global | Frankfurt/NYC/Zurich |
Diane Arbus: In the Beginning | The Met Breuer | USA | NYC |
Cindy Sherman: Imitation of Life | The Broad | USA | Los Angeles |
Public to Private | National Museum of Modern and Contemporary Art, Korea | Korea | Seoul |
Strange and Familiar: Britain as Revealed by International Photographers | The Barbican | England | London |
Burnt Generation: Contemporary Iranian Photography | Candlestar | England | London |
Edward Steichen | Galerie Clairefontaine | Luxembourg | Luxembourg |
Evandro Teixeira: The Constitution of the World | Museo de Arte do Rio | Brazil | Rio de Janeiro |
Paul Strand: Photography and Film for the 20th Century | Victoria and Albert Museum / Philadelphia Museum of Art / Fundación MAPFRE | England | London |
FRINGE | |||
Susan Philipsz: War Damaged Musical Instruments | Tate Britain | England | London |
Centre of Arts and Nature – 8th Season | Chateau Chaumont sur Loire | France | Chaumont |
A Labour of Love | The Museum of World Cultures | Germany | Frankfurt |
“Alexander Calder in Gstaad”, which coincides with “Calder & Fischli/Weiss” at the Fondation Beyeler in Basel | Hauser & Wirth / Fondation Beyeler | Switzerland | Basel/Gstaad |
Painting with Light, Art and Photography : from the Pre-Raphaelites to the Modern Age | Tate Britain | England | London |
Creative Africa | Philadelphia Museum of Art | USA | Philadelphia |
El Macro Mural Barrio de Palmitas | German Crew | Mexico | Pachuca |
From Kandinsky to Pollock. The Art of the Guggenheim Collections | Fondazione Palazzo Strozzi and the Solomon R. Guggenheim Foundation | Florence | Italy |
Making & Unmaking: An exhibition curated by Duro Olowu | Camden Arts Centre | England | London |