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94 Nominees … 6 continents, 31 countries and 49 cities
The GFAA program conducts extensive year-round research of curated exhibitions and installations across the globe, designating awards for group and themed exhibitions, as well as awards for solo artist shows. In continuing the recognition of social issues addressed by many artists and institutions, and in addition to the two new awards launched last year – Global Planet and Global Humanity, GFAA premiers a new award category this year called Global Artists. This category distinguishes the lifetime body of work of the nominated artists.
Geographic, scale, ethnic and gender diversity are essential in the GFAA research and nominating process.
The culmination of the year-long process to discover the best curated art and design exhibitions will take place on Tuesday, March 12, 2019 with the celebration of all Nominees and the presentation of the Winners of the 2018 Global Fine Art Awards. The venue for the black-tie gala will be announced soon.
GFAA Judges will select 13 Winners – one in each of the following award categories: Contemporary and Post-War- solo artist; Contemporary and Post-War- group or theme; Impressionist and Modern- solo artist; Impressionist and Modern- group or theme; Renaissance, Baroque, Old Masters and Dynasties- solo artist; Renaissance, Baroque, Old Masters and Dynasties- group or theme; Ancient Art; Photography; Design; Fringe; Public Art, and the new awards that premiered last year – Global Planet and Global Humanity. The new award (Global Artists) is juried but will not designate a Winner. Youniversal, and YOU-2 are the two final awards, are given to the most popular nominees, and are selected by public voting on the GFAA website and social media.
Best Post War / Contemporary (WWII-Present) – Solo Artist | |||
Anni Albers: Touching Vision | Guggenheim Bilbao Museum | Spain | Bilbao |
Cai Guo-Qiang: October (shared) | The Pushkin State Museum of Fine Arts / Museo Nacional del Prado | Russia / Spain | Moscow / Madrid |
The Spirit of Painting. Cai Guo-Qiang at the Prado (shared) | The Pushkin State Museum of Fine Arts / Museo Nacional del Prado | Russia / Spain | Moscow / Madrid |
Basquiat: Boom for Real | Barbican | England | London |
Christian Boltanski: Storage Memory | Power Station of Art | China | Shanghai |
Hassan Sharif: I Am The Single Work Artist | Sharjah Art Foundation / Al Mureijah Square and Bait Al Serkal | UAE | Sharjah |
Danh Vo: Take My Breath Away | Solomon R. Guggenheim Museum | USA | New York |
Jasper Johns: Something Resembling Truth | Royal Academy of Arts / The Broad | England / USA | London / Los Angeles |
Joan Jonas | Tate Modern | England | London |
Georg Baselitz | Fondation Beyeler / Hirshhorn Museum and Sculpture Garden | Switzerland / USA | Basel / Washington DC |
Adrian Piper: A Synthesis of Intuitions, 1965–2016 | Museum of Modern Art (MoMA) | USA | New York |
Best Post War / Contemporary (WWII-Present) – Group or Theme | |||
All Too Human | Tate Britain | England | London |
An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940-2017 | Whitney Museum of American Art | USA | New York |
Radical Women: Latin American Art, 1960–1985 (Pacific Standard Time: LA/LA) | Hammer Museum / Brooklyn Museum / Pinacoteca de São Paulo | USA / Brazil | Los Angeles / New York / São Paolo |
Art and China after 1989: Theater of the World | Solomon R. Guggenheim Museum / Guggenheim Bilbao | USA / Spain | New York / Bilbao |
NGV Triennial | National Gallery of Victoria (NGV) | Australia | Melbourne |
Memories of Underdevelopment | Museo Jumex | Mexico | Mexico City |
Permanent Revolution: Ukranian Art Today | Ludwig Muzeum | Hungary | Budapest |
Best Impressionist and Modern (1838-WWII) – Solo Artist | |||
Monet & Architecture | The National Gallery | England | London |
Grant Wood: American Gothic and Other Fables | Whitney Museum of American Art | USA | New York |
René Magritte: The Fifth Season | San Francisco Museum of Modern Art | USA | San Francisco |
Chagall: The Breakthrough Years (1911-1919) | Kunstsmuseum / Guggenheim Bilbao | Switzerland / Spain | Basel / Bilbao |
Picasso: 1932 – Love, Fame, Tragedy | Tate Modern | England | London |
Rodin and the Art of Ancient Greece | The British Museum | England | London |
Modigliani | Tate Modern | England | London |
Lucio Fontana: Ambienti / Environments | Pirelli Hangar Bicocca | Italy | Milan |
Giacometti | Solomon R. Guggenheim Museum | USA | New York |
Best Impressionist and Modern (1838-WWII) – Group or Theme | |||
Post Zang Tumb Tuuum. Art Life Politics: Italia 1918–1943 | Fondazione Prada | Italy | Milan |
Living Proof: Drawing in 19th-Century Japan | Pulitzer Arts Foundation | USA | St. Louis |
Klimt and Schiele: Drawn | Museum of Fine Arts Boston | USA | Boston |
Cult of the Machine: Precisionism in American Art | de Young Museum (Fine Arts Museums of San Francisco) / Dallas Museum of Art | USA | San Francisco / Dallas |
Telefónica Collection. Cubism(s) and Experiences of Modernity | Museo Reina Sofia | Spain | Madrid |
Best Renaissance, Baroque, Old Masters and Dynasties (1200 – 1838) – Solo Artist | |||
Arcimboldo | Palazzo Barberini | Italy | Rome |
Michel Sittow: Estonian Painter at the Courts of Renaissance Europe | National Gallery of Art / Kumu Art Museum | USA / Estonia | Washington DC / Tallinn |
Rubens: Painter of Sketches | Museo Nacional del Prado | Spain | Madrid |
Michelangelo: Divine Draftsman & Designer | The Metropolitan Museum of Art | USA | New York |
Eugène Delacroix (1798-1863) | The Louvre / The Metropolitan Museum of Art | France / USA | Paris / New York |
Giovanni Bellini: Landscapes of Faith in Renaissance Venice | The J. Paul Getty Museum | USA | Los Angeles |
Velázquez and the Celebration of Painting: the Golden Age in the Museo del Prado | Museo Nacional del Prado: National Museum of Western Art / Hyogo Prefectural Museum of Art | Japan | Tokyo / Kobe |
UNKEI – The Great Master of Buddhist Sculpture | Tokyo National Museum | Japan | Tokyo |
Rembrandt: Britain’s Discovery of the Master | Scottish National Gallery | Scotland | Edinburg |
Best Renaissance, Baroque, Old Masters and Dynasties (1200 – 1838) – Group or Theme | |||
Eternity and Time between Michelangelo and Caravaggio | Musei San Domenico | Italy | Forlì |
Painted in Mexico 1700-1790: Pinxit Mexici (Pacific Standard Time: LA/LA) | Los Angeles County Museum of Art (LACMA) / The Metropolitan Museum of Art | USA | Los Angeles / New York |
The 18th Century: A Collection | Palazzo Pitti | Italy | Florence |
Dutch Masters from the Hermitage: Treasures of the Tsars | Hermitage Amsterdam | Netherlands | Amsterdam |
Best Ancient Art (BC – approx 1200) | |||
Ancient Mediterranean Cultures in Contact | The Field Museum | USA | Chicago |
The World of the Fatimids | Aga Khan Museum | Canada | Toronto |
Golden Kingdoms: Luxury and Legacy in the Ancient Americas | The J. Paul Getty Museum and the Getty Research Institute / The Metropolitan Museum of Art | USA | Los Angeles / New York |
Iran: Cradle of Civilisation | Drents Museum | Netherlands | Assen |
Etrusca Egyptians. From Eugene Berman to the Golden Scarab | Centrale Montemarini | Italy | Rome |
Beyond the Nile: Egypt and the Classical World | The J. Paul Getty Museum | USA | Los Angeles |
Margiana. A Bronze Age Kingdom in Turkmenistan | Neues Museum | Germany | Berlin |
Best Public or Outdoor Installation or Exhibition | |||
Art in the Open: Fifty Years of Public Art in New York | Museum of the City of New York | USA | New York |
Onassis Fast Forward Festival 5 – Athens | Onassis Cultural Centre | Greece | Athens |
Softer: Jenny Holzer | Blenheim Palace | England | Blenheim |
Robin Hood Gardens: A Ruin in Reverse | Victoria and Albert Museum – Venice Biennale | England / Italy | London / Venice |
Georgia O’Keeffe: Visions of Hawai’i | New York Botanical Garden | USA | New York |
Best Design | |||
The Future Starts Here | Victoria and Albert Museum | England | London |
Secret Cities: The Architecture and Planning of the Manhattan Project | National Building Museum | USA | Washington DC |
Heavenly Bodies | The Metropolitan Museum of Art (The Met Fifth Avenue / The Met Cloisters) | USA | New York |
Marc Camille Chaimowicz: Your Place or Mine… | The Jewish Museum | USA | New York |
Japan in Architecture: Genealogies of Its Transformation | Mori Art Museum | Japan | Tokyo |
William Morris: Designing an Earthly Paradise | Cleveland Museum of Art | USA | Cleveland |
Best Photography | |||
Shape of Light | Tate Modern | England | London |
Thomas Ruff: Photographs 1979 – 2017 | Whitechapel Gallery | England | London |
Daguerreotypes: Five Decades of Collecting | National Portrait Gallery | USA | Washington DC |
Sigmar Polke. Photographs 70-80 | Museum Morsbroich | Germany | Leverkusen |
Tacita Dean: Landscape, Portraiture and Still Life | The National Gallery / National Portrait Gallery / Royal Academy of Arts | England | London |
Akram Zaatari: Against Photography – An annotated history of the Arab Image Foundation | National Museum of Modern and Contemporary Art | Korea | Seoul |
Best Fringe / Alternative Exhibition | |||
Globes: Visions of the World | Louvre Abu Dhabi | UAE | Abu Dhabi |
The Water Lilies. American Abstract Painting and the last Monet | Musée de l’Orangerie | France | Paris |
The Long Run | Museum of Modern Art (MoMA) | USA | New York |
Monochrome: Painting in Black and White | The National Gallery | England | London |
Verboámerica | Museum of Latin American Art (Museo de Arte Latinoamericano de Buenos Aires, MALBA) | Argentina | Buenos Aires |
Charles I: King and Collector | Royal Academy of Arts | England | London |
High Society | Rijksmuseum | Netherlands | Amsterdam |
Bacon – Giacometti | Fondation Beyeler | Switzerland | Basel |
Truth and Beauty: The Pre-Raphaelites and the Old Masters | Legion of Honor (Fine Arts Museums of San Francisco) | USA | San Francisco |
Suzhou Fakes and Their Influence: Forgeries Infiltrate the Qing Imperial Collection | National Palace Museum | Taiwan | Taipei |
The Great Spectacle: 250 Years of the Summer Exhibition | Royal Academy of Arts | England | London |
Global Planet | |||
John Akomfrah: Purple | Barbican / Bildmuseet Umeå, Sweden, TBA21—Academy/Vienna, The Institute of Contemporary Art/ Boston and Museu Coleção Berardo, Lisbon. | England / Sweden / Austria / USA / Portugal | London, Umeå, Vienna, Boston, Lisbon |
Primal Sonic Visions | The International Renewable Energy Agency (IRENA) – Venice Biennale | global / Italy | global / Venice |
Zhang Dali: Monumental Nature | Pékin Fine Arts | China | Beijing |
Indicators: Artists on Climate Change | Storm King Art Center | USA | Cornwall |
Global Humanity | |||
Fred Wilson: Afro Kismet | Istanbul Biennial / Pace London / Pace New York | Turkey / England / USA | Istanbul / London / NYC |
Skate Girls of Kabul | Aga Khan Museum | Canada | Toronto |
Parapolitics: Cultural Freedom and the Cold War | Haus der Kulteren der Welt | Germany | Berlin |
Art in the Age of the Internet, 1989 to Today | Institute of Contemporary Art | USA | Boston |
Transforming Lives Through Photography | Josephine Herrick Project | USA | New York |
Special Mention | The Contemporary Austin | USA | Austin |
Global Artists | |||
Ansel Adams | lifetime | USA | Yosemite |
Olafur Eliasson | lifetime | global / Iceland/Denmark | global |
Alfredo Jaar | lifetime | global / Chile | global |
Keith Haring | lifetime | global / USA | global |
Doris Salcedo | lifetime | global / Colombia | global |
David Goldblatt | lifetime | South Africa | Johannesburg |
Special Honor | |||
Pacific Standard Time: LA/LA
| The Getty | USA | Los Angeles |